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Visual Thinking & Lettering: Limit Your Lettering Styles?

melinda carpenter April 28, 2015

Common advice says to use no more than three different fonts or lettering styles at a time. But designers break this rule all the time. And create some pretty amazing work when they do. So, how do you know when to stick to the three typeface limit or to reach beyond?

There are a lot of reasons why or why not to stick to the power of three. For one thing, three is a great number - it gives a bit more variety than two, yet still keeps things simple. So, keeping in the spirit of threes, here are three key elements to consider when choosing how many fonts, typefaces, or lettering styles will serve you best (in no particular order):

Message - Some messages are not meant to be interesting, engaging, thought provoking, or pretty. They're just the facts, and only the facts, ma'am. Like legal documents. It would just be plain weird to have them written out in a bunch of fancy fonts. A sentence here and there in italics and some select words in bold are all the variations you need to keep the message short, sweet, and very, very straight forward.

On the flip side, if the message is fairly short and sweet, interesting, engaging, or thought provoking, then a handful of extra lettering styles may very well make your message shine just a bit brighter.  

Impact - The higher the contrast, the higher the impact - visually speaking. If you want your message to be rather subtle, then stick to one font for sure. If subtlety isn't what you're after, bring out those typefaces! Of course, you want to be sure the impact you create is all positive. And that will only happen if all the letters on the page look good together. If your message ends up a jumbled mess of random lettering styles, your message will still have quite an impact. Unfortunately, a very negative one. 

Speed - Multiple lettering styles work well for philosophical or inspirational quotes (like the one above) because they're meant to be thought provoking. Deeply thinking about something takes time. And if written in a bunch of different lettering styles, that quote will take much longer to read. When all words are written in a different style, you read every single word. That gives the message a bit longer to sink in. It also means you're more likely to remember it. And if the message is visually appealing, you'll want to just look at it and appreciate the aesthetics of it, too.  

 

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Visual Thinking:

Words and pictures used together to engage the whole brain and turn information into knowledge that can lead to wisdom and action.

It's about communication, not art!


Graphic Recording:

Large-scale visual notes drawn live, in real-time, usually in color.


Visual notes:

A catch-all term for notes of any size created with a mixture of words and pictures, and may or may not be created live.


Sketchnotes:

Small-scale visual notes drawn in real-time. They may be created live or from audio or video files. My sketchnotes are usually black & white.


Graphic facilitation:

Facilitation of a meeting through the use of visuals. Often involves the use of templates and worksheets. Popular for problem solving, brainstorming, goal-setting, and strategy sessions.


Synthesis images:

Illustrations created to simplify complex information, drawn in the style of graphic recording or sketchnotes. Synthesis images are usually in color and generally created from print materials (like a company report or brochure).


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Other Illustration:

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Sketch Animation:

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One Squiggly Line

A visual thinking business that uses hand-drawn pictures to make things clear, simple, & fun

Hand-drawn visuals to make things clear, simple, and fun so you can understand more deeply, communicate more clearly, and act more confidently. Visual Notes ~ Illustration ~ Sketch Animation ~ Graphic Recording ~ Other Creative Services.

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